Surrendering to living as an artist feels like resistance you have to push through every day. But it’s gonna be hard either way, because pushing yourself down is also hard, and became too hard for me at some point.
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Lately I've been wrestling with my conflicting feelings about being seen, which are a huge obstacle for me in sharing my work (but also a huge joy, and a very exciting desire).
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This year I went on a date with someone who enthusiastically told me, „With AI, we will never have to consume imperfect art anymore!“
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From September 23rd to 25th, I attended a fantastic drawing festival in Erfurt for the first time this year, which I hadn't known about before. Although it's small (or perhaps because of that), it was extremely well organized and truly inspiring.
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In Istanbul, I first used Wrongfidence as the theme of a workshop and drew for three hours in the Cihangir district of Istanbul together with the participants of the CoCreate workshop week of the cultural platform Maviblau.
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At the end of April, the “CoCreate” workshop week of the cultural platform Maviblau took place in Istanbul, which I co-organized. I documented the workshop in sketchnote form in my sketchbook.
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In the fall, the comic collection “Sie wollen uns erzählen” (They Want to Tell Us) was published – a volume with comics based on various well-known Tocotronic songs. I was very happy to be able to illustrate my favorite Tocotronic song.
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Şimdi heißt jetzt (Şimdi means now) was published by Slanted Publishers in spring 2020. In this blog post, I would like to give an insight into how the design of this book project came about.
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My series of Istanbul illustrations, Ghost Town, was featured in Cercle Magazine, a French art and design magazine. The magazine's theme was "ghosts".
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At Cup Club, a lecture series on communication design at Mainz University of Applied Sciences, I gave a lecture together with my colleague Julia Bernhard.
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